Pink Inari Tee Dress

Hello all! I finally have a new make to show you. I was intrigued by how good everyone's Named Inari tee dresses looked so I thought I'd try a new silhouette out. And I really really like it.


The fabric made this simple dress a lot more of a 'mare than it should have been. I found this viscose remnant on ebay and the colours and print are stunning but it's shifty as heck and frays every time you look at it.
 I added a CB seam to get it out of 1.1m of fabric. Even though I understitched the facing it kept flipping up so I stitched it down in my break.
I have come to the conclusion that without an overlocker, seam allowances need to be 1.5cm or more. There isn't a lot you can do to finish a 1cm seam allowance if you don't hong kong it. I pinked these seam allowances, but I'm not sure how well they are going to hold up!
This is very much a dress that needs wearing with shorts underneath.
It's super super comfy. One of those dresses you don't notice you're wearing. In this dress I went to uni for the day, out for dinner in London, a walk outside Buckingham Palace, a cocktail at the pub and quite a bit of dancing. There's been a little wear and tear on one of the splits but that can easily be patched up.
In other news, I got my braces off on Thursday! Arghh looking at these pics makes me so happy!

Thanks for reading and to MK for taking photos!
Lauren xx

Aggy Gnome - The Musical

Hello all!
I took a bit of a leap into the unknown by writing, composing and staging a musical for my friend Millie's 19th birthday over the Easter holidays. Aggy Gnome was the tale of a girl that magic was not kind to. She gets turned into an aggy gnome by a jealous witch, and then into an aggy dragon by a wizard who's not entirely sure what he's doing. (aggy is a shortcut for aggravated) It was great fun to write. I've never written original songs before so that was a pretty big learning curve, but it was pretty cool to hear them sung on stage/in our kitchen. We also had some classic songs including 'Somebody to Love', Wicked's 'Defying Gravity' with the title words exchanged for 'being a lesbian' and 'At Last' by Etta James.

Aggy Gnome was set in a fairytale universe, so it needed appropriate props and costumes. I managed to adapt lots of existing pieces in my collection, spending only £4.50 on some hessian sacking for the cretin costume, custard creams and for masks and leaves for the dragon masks. This dress and this top made an appearance.
Props-wise I made 2 dragon masks with masks, leaves and pva glue. My friend MK stuck some cotton balls onto the lower half of a mask for the gnome mask. I made a sword from my strongbow cider box and wrapped that in tin foil. The crown was cut out of a rice crispie box and left as is as I was pretty much done at that point. Below is Lydia wearing her dragon wings and mask. I could have done a lot better with the wings but I didn't have enough fabric so had to make do.
 I also made a tree from a big cardboard box, green card, masking tape and brown paint. This tree caused a lot of trouble. It was being stored in the kitchen and was mistaken by rubbish by the cleaner so I had to go on a tree rescue mission. It was eventually recovered (my first bin diving experience). There was also a wasp nest made from brown paper wrapped around a big water bottle. The 'tree' was no where near as stable as it needed to be and collapsed halfway through the show to general hilarity.

Costume-wise I made a shirt for myself as the Prince, a sack dress for the cretin and some dragon wings for the aggy dragon. For the shirt I wanted something massive and pouffy. I used the Grainline Archer pattern as a base, with major adaptations. The leather jacket soon got abandoned because it was far too hot.

 It was made from an old white sheet. I decided that I wanted a front and back yoke, with a gathered front and back attached with massive gathered pouffy sleeves with a ruffle-y cuff. I also wanted a neckline ruffle.











First, I decided to discard the front Archer piece and work only from the back. I cut 2 yokes -
1 for the front of the shirt and 1 for the back. I then cut 2 back pieces on the fold, placing the side seams as close to the selvedge as I could so it could be gathered into the yoke. I split the sleeve into 3 lengthways and spread it out for a puffed sleeve. I also made it 10cm longer so I could turn it back on itself, and insert some elastic to make an easy gathered cuff.

When that was all put together I gathered up a long rectangle folded in half so the outside edge would be clean and gathered that into a V neckline on the skirt. It was sewn wrong side to wrong side, then trimmed, turned over to the right side and topstitched. My gathers didn't work very well and they aren't very even. 2 layers of the sheet fabric was very bulky.
As a performer I loved this shirt. It really helped me get into character and it's so incredibly comfy!
So yeah, that's what I got up to over Easter!
Thanks for reading,
Lauren xx

Floral Zeena Dress

Hello all! This is my latest Minerva make, a floral Zeena dress. I wanted a new dress for spring and I love the colours of this viscose print. I worry that simple silhouettes can be boring, but they can never be boring in a print like this.
You can read the rest of the post over at Minerva Crafts.
Lauren xx

Floral Pinafore Dress

Hello all! Today I have a new dress to show you. This dress was inspired by a picture of 1940s overalls. Unlike our dungarees today, the top half was fitted as opposed to a rectangle. I much prefer this look so this was how this dress came about.
I used my bodice block with the neckline squared off, paired with an A-line skirt. I could have probably lowered the neckline more, but I wanted to be able to wear it without a top underneath. The straps are just rectangles.
The fabric is a floral needlecord that I picked up when staying with Grandpa in Winchester before Christmas. It was really straight forward to work with as long as I made sure to cut all the pieces facing the same way. I still have 1/2 metre left from the 2 metres that I bought which I'll make into a button down skirt at some point.
Raw edges were overlocked and the neckline and hem both have a facing. I purposefully made sure that the wrong side of the fabric was visible for the hem facing so the skirt would move freely without the needlecord creating friction. I used an invisible zip for the CB.
I'm really happy with how this dress turned out, and it has gotten a lot of wear over the last couple of months.
Thanks for reading and to Ed for taking the pictures while I've been home this weekend,
Lauren xx